The design process began, as most do for me, with a piece of graph paper and a pencil - oh, and the original theme of the challenge, of course. The first design was in my awesome graph paper composition notebook, but as I was playing with ideas I realized this quilt wanted to be based on 60 degree triangles, which meant switching the type of graph paper I was using. Thank goodness for the options we have!
I've talked about the fabric selection process a bit in previous posts, so I won't go too much in depth here. Plus, there's nothing too complex about it. Bluntly, this challenge came about at a time when I was making a concerted effort to limit my fabric purchases to specific projects, and knowing I was going scrappy for this, I started out in my stash. Choosing from a color that I seemed to have a fair amount of fabrics in a variety of values made the most sense to me, and so that's where I began.
And then I just started making strip sets, selecting sub-sets of gradients within the full "spectrum" of values with which I was working. Those strip sets got cut down at 60 degree triangles and from the dozens and dozens of such triangles I started laying them out and sewing them back together according to the layout in the sketch.
Now, one of the new techniques this project introduced me to was binding the serrated edge. When I have a bit more concentration (admittedly, we are watching "Dangeroud Liasons" while I am doing this - an excellent film that neither J nor I has seen in YEARS) I'll try to put together a tutorial on the binding process, but for now I'll just load several of my photos from the experience.
and like my little "binding cozy"? Just a swatch from an old knitting project and a safety pin, and it keeps the long bias binding roll in check, while allowing it to unroll as I use it. Yay for scraps of all kinds!